Folks, it’s a Christmas miracle: we’ve got our 2016 Letterpress Calendar up in the shop before the New Year! We’ve got a new crew of illustrators and fresh color palette to knock your socks off (it’s seriously bright).
Illustrators include longtime friend and contributor Brian Gunderson alongside first-time calendar collaborators: Jesse Lindhorst, Invisible Creature, Tom Froese and Bill Ferenc.
Studio On Fire chose the ink colors (a blazing take on the traditional CMYK palette, subbing a fluorescent pink in for the magenta and a dark navy instead of black) and paper colors before setting the illustrators loose on our theme for the year: Home. Normally we don’t expound too much on how we choose the theme, but this year with our big move we’re pretty excited to have a new place to call home (our very own building in St. Paul, just a few miles from our previous Mpls location), so we were excited to see what “home” meant to all of our contributors, too.
Papers are all from French: the pages are 100# French Poptone Sweet Tooth, while the stand is made out of a stock that we custom duplexed in-house using French Poptone Blu Raspberry and French Construction Nightshift Blue. All of the months, along with the outer wrap, were letterpress printed with four inks on one sheet before getting cut down and hand collated. The stands are letterpress printed, scored, diecut and hand assembled (note: “hand-assembled” is code for “time consuming handwork” that we have a love/hate relationship with).
Ben posted some great process photos on our Instagram, so be sure to pop over there if you’re curious.
When you have a pressroom full of gadgets (and more importantly, people who know how to use them) the possibilities for self promotion pieces are endless. Recently we decided to make an oversized business card based on one of our most used pressroom tools, the palette knife.
Orange ink was laid down first, followed by an overprinting of blue ink on the handle to make the brown woodgrain handle, in addition to giving it a dirty ink spattered quality. French PopTone Sweet Tooth 100# Cover was used on the outside, with a 100# Tangy Orange triplexed down the center, ending with a total thickness of 400# cover. A custom die cut finished the piece off nicely.
All projects produced in our shop are custom. If you are interested in obtaining a quote for printing or design services, please use the request an estimate feature on our website.
This suite, designed for Lindsay and Ben by their good friend Nicolas Carbonaro, is a great example of how to utilize overprinting inks. Since letterpress inks are not opaque, with the exception of metallics, a third color is created wherever two colors overlap–and in this instance, creating a great visual metaphor for love.
Another thing to note is the heavy ink coverage throughout the suite, so we required acknowledgment of our solid areas disclaimer before we proceeded into production. Printed with two inks, along with a blind pass, on Mohwak Loop Ivory Smooth 160c, the cards were duplexed after printing to create a hefty 320c stock.
Oh So Beautiful Paper also featured these, be sure to pop over to check out some additional pictures of the complete suite.
We are very involved with the Minnesota chapter of AIGA and always try to enter their annual Design Show that comes around each spring. Last year we were honored to win the “People’s Choice” award (voted on by those who attended the show) for our Golden Rule Poster. As per tradition, the winner of the People’s Choice is asked to design the show materials for the following year–we gladly accepted the job.
Under direction of the AIGA MN Design Show committee we were challenged to make an interactive object in lieu of the usual poster. Charles Youel jumped into the project as writer and after several meetings, sketches and cups of coffee, we came up with an idea to send a pair of cards with punchouts that could be used to actually build something on your desk. We had to go through multiple rounds of prototyping to adjust the construction and functionality of the die, but we couldn’t be happier with the end result.
The set of cards (everyone receives two, for a total of 16 punchout pieces) were letterpress printed with two inks on Neenah Classic Crest Solar White Eggshell 100c, custom duplexed after printing to make 200c. To achieve the our final product, every card was trimmed down and run through the press two more times after printing to diecut with two custom dies–one used to create the slits and one to cut the shapes. A custom envelope was also designed and produced before the whole set was sent over to Shapco for insertion and mailing.
Be sure to check out the hash tag #designshow on Twitter as people tweet their creations and enter AIGA MN’s 2012 Design Show–online entry opens March 5th!
This is a nifty little letterpress card and a7 envelope designed by Duel Purpose in Austin, Texas. It is printed in three colors, the overlapping bold graphics make unique areas of overprinting ink. The stock is 100% cotton 220lb Crane Lettra, with a matching Lettra envelope. Hand written correspondence on these are sure to any leave digital message in the lurch.
We just got these suckers back from Ideal Printers over in St. Paul- designed by SOF and offset printed (feasibility and cost issues made it much more reasonable for offset) for The College of Visual Arts– in St. Paul as well.
In order to make the colors on this guy pop as hard as possible we swapped out the standard CMY inks with their florescent equivalent. The actual design process was one of the funnest yet- we took various wood type and ran scrap paper through a little tabletop proofing press and immediately sprayed with our press wash-up solvent and then isopropyl alcohol to make interesting splatters / streaks / clouds / etc. The solvent and the alcohol has the same effect when mixed as gas and water.
This invite pumps up the jam with an old school boom box and mix tapes. We love it for it’s fun factor and unique departure from most wedding stationery. The horizontal size is different, the illustration is super fun and the couples initials are even in the speakers of the boom box!
Adam Ramerth at Lark designed this set. He did a fantastic job with the theme. And we must say, this is a demanding letterpress printing job. The registration is TIGHT. The two yellow and blue colors align critically over one another to create the green as they overprint. The large graphics with small type make Continue reading ‘Mix Tape Letterpress Wedding Invitations’
Old travel destination postcards always offer typographic treats. Barrett Haroldson over at Colle McVoy designed some type on these postcards every bit as tasty. We love the mix of haltone texture and overprinting. They are 3/3 letterpress printed on the same press sheet using our big 13 x 18 Heidelberg Windmill running up a stack of 60 point blotter board. That mother turns it out.
I’m no sportsman, but these almost make me want to go fishing. Fishington is great resource to do just that, is spring here yet? And certainly check out Barretts blog.