Travis at Lifelong Friendship Society in Brooklyn designed these invitations for his wedding. We love the vintage-yet-modern style with beautiful art nouveau title typography details. The text for the main invite card is nested into the unique and detailed illustration. The elaborate illustration is complete with birds and bees, spiders web, stylized portraits, and lots of geometric love.
We letterpress printed with brown and gold ink on Pearl White Crane Lettra 110lb. The three cards were printed together (in really tight register) as a press sheet and trimmed to size. The linear artwork paired perfectly with the letterpress process, creating sculptural impression highly detailed press work.
Abbie at Passing Notes is a master of refined print design. Her type is always exquisite and these cards for her client Aphro Chic were a pleasure to print. They are on a thick 60pt blotter stock with a flood of bold geometric pattern on the back and two color letterpress on the front. The blotter sheet has a pulpy appearance with lots of soft fiber texture. We printed the business cards along with a note card on the same press sheet so the print dollar went a bit further. The business cards were edge colored in a PMS match yellow for the perfect finishing accent.
Not every wedding invite is so typographically unique as this one, with wedding birds too! Emily and Emory, the Bride and Groom designed these fun loving cards with display typography built from basic geometric forms overprinting each other. The warm color palette is three spot PMS colors which overlap and create additional letterpress texture. The cards are Crane Lettra Florecent White 110lbC 5 x 5 size – all printed together on a single large press sheet in tight register. They even included a little “eye spy” art print that turned out really sweet as well. The envelope is a metallic Stardream stock printed with silver metallic ink. Check out Emory’s site for even more illustrative work.
A bilingual wedding can be challenge. The bride needed invites in English and the groom needed Spanish. The simplest solution for this wedding in Mexico was both English and Spanish versions of the invitation. We designed and letterpress printed them with a textural yet refined style – a geometric border with a simple hand lettering for the couples names. The stock is Canalleto Grana Grossa 111lb Cover (20% cotton) and is printed in three match colors. The overprinting creates additional dimension and colors in the flower and vine motif. To integrate the invites closely with envelopes, we matched our ink colors to existing envelope colors from French Paper’s Poptone color line – orange fizz and limeade. Salud!
A simple pattern goes a long way with letterpress printing. This is a design from the bride that uses a contemporary geometric pattern with a refined gray and yellow color palette. It is pressed on Crane Lettra 110lb Cotton stock with a matching Lettra envelope. The pattern even comes across the flap of the envelope. A nifty little details card directs you to the couples web site and replaces lengthy printed information that can clutter up an invitation suite. Connect with the bride Sabrena if you like the design style of this invite and would like her design services . The right pattern produces such beautiful letterpress texture. We’d love to print more like this.
The Sound Set event is an amazing line up of hip hop happening this Sunday in the Twin Cities, put on by Rhymsayers Entertainment. We just killed this letterpress poster job, 1000 qty 3 color posters in just over a day. This is some fresh geometric pattern and color designed by Adam Garcia – work you should certainly check out further over at The Pressure. And be sure to get a poster if you go to the event.
This poster is on 100lb Poptone cover stock from French Paper. It is a 15.5 x 23 size with some big solids going down. With this much ink we have to run the powder spray pretty heavy so the ink doesn’t transfer to the backs of each other. That makes the inside of the press look like a powdered doughnut. The powder spray is actually just a corn starch and works well to avoid offsetting ink transfer. Sucks to clean the press afterward though.
We love doing posters, but be aware that the polymer plating for large sizes can be expensive for small runs. Just the plate cost alone will run about $200 per color. That kills the price for a run of 50 posters with polymer. But 500 to 1000 quantity- now we’re talking. That spreads the plating cost out over more pieces and makes it more reasonable get on press. Not that we aren’t happy to do small runs, but plate cost is what it is regardless of quantity.