These letterpress business cards were the perfect fit for web development and design company Ackmann & Dickenson. We like how these guys frame their business as “Craftsmen of Fine Technology”. They designed these cards and we letterpress printed them to reflect craftsmanship.
And this card did require some crafting. We started with the making of a custom duplex paper – 160lb Mohawk Loop Ivory Smooth pasted to French Construction Nightshift Blue 100C – totaling a thick 260lbC card. Next we letterpress printed them with two colors on each side, silver and tonal navy inks on the blue side, then blue and gray inks on the ivory side. We printed a couple 8up forms to meet all the employee name versions needs and then die cut them with small inverted corners. Viva tactility and technology.
Six Speed sent us this design for custom letterpress business cards. They are a specialized events marketing company here in Minneapolis. And what could be a better business card job really – crushing AND burning all on the same press sheet.
The cards were letterpress printed on 200lb Eclipse Black Wausau with silver ink, then the press sheet was laser cut. The laser cutting was used due to the complexity of the cutting die and the size of the print run. Laser cutting does a really nice job, especially on darker stocks were the edge burn is less evident. With lighter colored and white stocks, a mask is sometimes sometimes required to prevent burning marks on the face of the sheet.
This invitation suite was designed by the bride, Stacey Averbuch. It is an elegant invitation in it’s typographic texture, mixing a coarse script font with a finely serifed engravers typeface. The ink is dark brown letterpress on Crane Lettra cotton paper. A cement green envelope color from French Paper was used for all the envelopes in the set. Email Stacey if you really like the design and would like her to work on a custom stationery set for you.
This a good wedding tip: Colored Envelopes. We like the simplicity of adding color to a wedding invitation set by using a colored envelope. It’s a great way to put some color in the set without the expense of letterpress printing more color.
The same dark brown color is printed on both the cards and the envelopes. We printed the invite cards together on a single press sheet and trimmed them to size after printing. That keeps the cost of all the cards more friendly. Also, don’t forget to include a thank you card while printing your inviations. That saves time and money in the long run. We specialize in printing custom sets brought to us by other designers and event planners. Thanks Stacey for a sharp looking invitation.
The esteemed fellows at Wilderness in Portland sent us an unusually simple business card for letterpress printing. Rather than load up the card with four telephone numbers, an email, a fax, a twitter, etc – they all simply share the same card. A nice solution for keeping cost down too. Wilderness is the new design trailhead of Aaron James Draplin, John Phemister and David Nakamoto. We can’t wait to see what they do next. Of course, simple design doesn’t always mean simple production. We printed these on 220lb Pearl White Lettra, 100% cotton. Flooding a dark color like this on letterpress is difficult to lay down and keep consistent over the course of the print run – especially on a stock that has some texture to the surface. When we print a solid like this, we generally go to our Paul Bunyan of Heidelberg Windmill presses – the 13 x 18. Even so, there is still a salty, weathered look to how a stock like this will take a solid coverage on letterpress. But we like it that way, it ain’t offset.